Hand sweat distrubs artists

A while ago an article was post in one of the largest art magazines that there was a large percent of artist that admitted that hand sweat was a big problem when they were trying to create art. Excessive sweating is more common than people think at it has getting a lot more attention in the media lately. People with sweaty hands is as wet palm after a hand wash which often causes a severe usable hand. The muddy hand destroys paper in the school for students, shorting electrical circuits of the electrician or cause grip problems in the craftsman. A wet hand or foot in winter can cause thermal problems in the worst case lead to frostbite. Most worrying for the patient with sweat problems is contact with other people. To health, to keep hands, dancing etc. too many virtually impossible. Most hampered in their daily lives with other people and sometimes leads to isolation and alienation.

Iontophoresis is a medically proven method for removal of excessive sweating of palms, feet and armpits. It is based on the effect of very weak electric current of a suitable frequency and the particles in the water at the areas of the body affected by excessive sweating. I know alot of my art colleagues that have used this method and it is working really well! I really recommend this if you have this problem



Kubism: The Movement

Pablo Picasso and Georges Braque: two well known artists that you may have heard of. Artists of the day specialized in certain styles, as all experts or even hobbyists do. Picasso’s art has been seen by many and is known for its peculiar shapes and minimalistic color choices. The style these artists focused in was named Kubism.

Kubism was an art movement of the early 19oos. It began in 1907 and continued into the 192os until its early obvious departure in 1922. As previously mentioned, two artists began this movement. In 1907, Picasso returned to Paris with his painting “Les Demoiselles d’Avignon”. This painting contains distorted figures and fragmented planes, as well as a subdued colour palette.

These created hints to the later key characteristics of Kubism. The other artist -Braque- created a series of landscape paintings in 1908.

However, these landscapes were made of shaded cubes and other such shapes as representations of the mountains and trees. A French art critic (Louis Vauxcelles) then described Braque’s series as “bizarreries cubiques”, which led to the movement’s name. Kubism includes two main subsections: Analytic Kubism and Synthetic Kubism.

Analytic Kubism, which is the style under which the art of Picasso and Braque worked, is defined by its need of observation of objects to see the context of the image. This genre ran from 1908 to 1912 as seen by experts. Picasso and Braque held special shapes and characteristics that would represent the subject of the art piece. Analytic Kubism art is made of mostly of overlapping planes as well as structured dissection of an image. The colour palette is simplified to where many colors are earth tones or are similar in shade to the others, as to not distract the viewer. The art must then be “analyzed” to see the subject through these characteristics.

Synthetic Kubism became an offset of Analytic Kubism by Picasso and Braque, which later became popularized by the group nicknamed the “Salon Kubists”. This can sometimes be seen as early versions of “Pop Art”, as it has similar attributes. It leaves the art open to interpretation by the artist and is more flexible in this manner than Analytic Kubism.The colours are more varied in this type and a collage system (as many non-art tools were used) was sometimes involved. The subjects of the art would mold together, or seem to “synthesize”, rather than be broken apart as in the previous mentioned method.

Juan Gris is well known for this style, as he maintained clarity in his artwork as well as meeting the characteristics. Kubism spread quickly in 1910 across Europe as it also stunned critics. They were unsure of the purpose of the movement: was it to represent the subject in an objective manner or merely to distort the image to be more abstract? However, the artists began creating such varied views of this style, the purpose wasn’t ever clearly found. In the 1920s, Kubism began to decline, which began in France. Many of the beginning artists of the movement began changing to other services. Even though this movement declined, it paved the way for other similar art styles to branch from it. This includes Constructivism and Art Deco, as well as its polar opposite, Surrealism.

Futurism As A Piece Of History

Art has been important in all pieces of history in some way or another. Many know of the Renaissance and other movements, or even of pieces such as the Greek sculptures. From Michelangelo to Leonardo da Vinci, many have paved the way for artists of the world to express themselves.

One of these movements was in Futurism. This took place between 1909 and ended in the late 192os in Italy when Filippo Tommaso Marinetti published the “Futurist Manifesto” on February 2oth, 1909. In this, he celebrated “the machine age” and the triumph of technology over nature.

This art movement centered on celebrating advancing technology and urban modernity. They did this by finding the beauty in new machines, change, speed, and violence Many of the artists of the period used traditional media in the uses of painting and sculpture. However, Futurist artists were not distinct with their style. These artists borrowed techniques from Post-Impressionism, Symbolism, Divisionism, and Cubism. Eclectic styles were motivated in this movement. In Italian Futurism, Gino Severini, one of the leading artists, worked in Divisionism. This included breaking down light and colour in stippled lines and dots to create depth in an image.

Umberto Boccioni’s painting -“The City Rises”- was highly Cubist influenced as well as being claimed to be the first Futurist painting because of this. French critics were divided in opinion; some expressed hostility, while others complimented the innovation. One image -“The Technical Manifesto of Futurist Painting”- used fast paced animation in it, whereas a running horse appeared to have twenty legs rather than four. Futurists seen action as a mixture of time and space. Futurism also existed in music. This was noted by sounds created by machinery rather than traditional instruments of the past.

George Antheil is well known in this area by his piece which used humans and machines in synchronization in order to differentiate between the abilities of the two. Luigi Rossolo and Filippo Marinetti were the first to hold a Futurist concert in which the use of “intonarumori” -acoustic noise generators that allowed the artist to control the dynamics and pitch of several instruments- in 1914, however they were unable to perform soon after. This was the beginning of the decline in Futurism, when ltaly entered World War I. Many of the leading artists either joined and were killed in the war or immigrated to other countries.

Futurism continued to inspire artists in Europe, however its impact slowed and declined from where it had been at the beginning. Regardless, Futurism was used to inspire the styles of Art Deco. It may have been a short movement, but its influence moved forward into others.

Expressionism: The Evolution Of The Abstract Art

The Abstract Expressionism Movement, also referred to as the New York School was exclusively an American abstract art movement that mainstreamed in New York City at that time following the Second World War. This movement was significant within the sense it was the first American movement to declare non-dependence on European styles also to get a sway all around the world. It also enabled New York City to restore Paris since the art hub. Prior to its hitting the ground with American art, “abstract expressionism” would be a term used inside the Berlin periodical named ‘Der Sturm’, in 1919.

Arshile Gorky played a vital role in inducing The Abstract Expressionism Movement. The abstract art works produced over this movement are believed to be a mix of certain visual facets of abstract European schools like Futurism, Synthetic Cubism and Bauhaus using the self-expression and emotional strength of German Expressionism. Though this abstract art would be a mixture of several styles, its basic philosophy were to search and search out answers for questions concerning human existence.

There are numerous similarities of fashion between abstract expressionism art as well as the work of Russian artists on the early 1900’s, one of the most prominent being Wassily Kandinsky. The abstract art using this period with the movement can often be characterised by offering the impression to be produced in an act of artistic spontaneity. The work of pioneers in the movement including Kandinsky, Kunz and later on Rothko dealt while using expression of subjects including spirituality plus the subconscious. However, meticulous planning and conscious thought was often included in creating the many in the well known art work which define this period with the expressionist movement.

In the 1930’s in North America, before mainstream acceptance of abstract art, social realism art ended up the prominent genre of art. Mexican social realists like Diego Rivera and David Alfaro Siqueiros together using the Great Depression strongly influenced the acceptance and widespread interest in this relatively brief movement. Preceding the Second World War inside United States there arose a time of political sensitivity. Due this change within the political climate social protest made through art would stop tolerated. In American society a creative vacuum had opened as well as the abstract expressionism movement arose in the mainstream, showcasing at major galleries in New York like The Art of This Century Gallery. The abstract expressionist movement spread rapidly thorough the elite art community in the United States through its major artistic communities such for example the San Francisco Bay area and California.

During the quantity of The Abstract Expressionism Movement, several artists started trying shapes and colour. They broke clear of what was thought to be artistic, conventional painting and painted complete canvases in blue, orange or another colours. Dripping, splattering and big brush strokes were characteristic top features of Abstract Expressionist Art. The artists of this era preferred larger canvases added to the floor over canvases that have been easel bound and moderate. The focus of abstract art inside expressionism movement wasn’t the portrayal of objects even so the portrayal of emotions.

In the broad sense, Abstract Expressionism was of two streams – Colour Field Painting and Action Painting. Colour field painting came up from the beginning on the 1960’s and involved using shape and colour to generate religious serene paintings which were devoid of representative subject substance. The composition of colour field works were huge coloured areas without forms or signs. Helen Frankenthaler, Mark Rothko and Ellsworth Kelly were some painters linked to this type of painting. Action Painting was obviously a painting stream that arose previous to Colour Field Painting (between your 1940s and 1950s) and practiced by artists for instance Jackson Pollock, Willem de Kooning and Franz Kline. The allure for the works of the painters was often thought to be the painters’ soul and life energy.

Abstract Expressionist Art got defiant, idiosyncratic and radical, also to some, nihilistic. The movement weakened inside the 1960s while other movements including minimalism and pop art arose towards it. Despite the movement losing importance, a number of abstract expressionist painters continued following its characteristic painting fashion for many people more years. In addition, this art movement profoundly influenced how some American artists of later generations used materials and colour into their Abstract Art. Artists on the Abstract Expressionism Movement often created their artwork Art Supplies for instance Stretched Canvases or on parts of un-stretched blank canvas that have been later installed on Stretcher Bars as soon as the artwork was completed.




‘Surrealism,’ a graduated sort of ‘Dadaism,’ can be a cultural society which existed throughout the World Wars I & II. Introduced by the French artist Andre Breton in 1924, ‘Surrealism’ was created after knowing the researches and also the studies in the psychoanalytical works of Swiss psychiatrist Carl Jung & Austrian psychiatrist Sigmund Freud. ‘Surrealism’ supported the use of inner visual making use of the inner mind to come up with art sans logical and rational comprehensibility, in reality.

Primarily coming initially from Europe in 1920s and centered in Paris, ‘Surrealism’ fascinated several ‘Dadaists’ too. In fact, ‘Surrealism’ was more an extension cord of early ‘Dadaism.’ While ‘Dada’ art movement would be a radical, non-conformist art, intentionally surpassing the orbits of reasons with negation and denial, ‘Surrealism’ a positive method of revolutionary expression. According for the father of ‘Surrealism’ & the publisher of “The Surrealist Manifesto” (1924), André Breton, “Surrealism would have been a means of reuniting conscious and unconscious realms of info so completely, which the world of dream and fantasy can be joined towards the everyday rational world in a absolute reality, a surreality.”

Relying within the theories of Sigmund Freud, Breton identified the unconscious mental faculty because the key site of creativity & imagination. Then, applying the Freudian strategies of ‘free association,’ ‘Surrealism’ intruded the conventionally restricted zone of mind, to build unprecedented, unadulterated, and astonishing imagery. This cerebral as well as the irrational doctrine of ‘Surrealism’ firmed up due towards the quirky disregard with the rebellious tradition ‘Dadaism’ fostered several back.


Best identified as a string of ‘Abstract Art,’ instead of ‘Symbolism,’ Surrealism’ has two key types, ‘Automatism’ and ‘Veristic Surrealism.’ ‘Automatism,’ demonstrating ‘action’ artistry, was the one face of ‘Surrealism,’ the art critics approved of post war. ‘Veristic Surrealism’ around the other hand, would have been a result of fiddling having an artist’s inner thoughts or subconscious, as opposed to the external visual reality, nevertheless awaits acceptability like a traditional talent.

Some with the key preeminent 20th century ‘Surrealists,’ among several others, included Giorgio de Chirico, Man Ray, and René Magritte. Some with the exemplary ‘Surrealistic’ works of high repute are “The Elephant Celebes” (1921) by Max Ernst, “The Red Tower” by Giorgio de Chirico (1913), “This is not a Pipe” by Rene Magritte, and “The Persistence of Memory” by Salvador Dali. In the due duration of time, ‘Surrealism’ proliferated from the globe, strongly influencing several artistic realms, straight from painting & sculpture to music & film. In 1941, ‘Surrealism’ breathed its last.


‘Minimalism,’ sometimes also referred as ‘Reductivism,’ ‘Literalist Art,’ ‘Rejective Art,’ or ‘ABC Art,’ emerged away from a fancy wave that swept the globe, especially USA, in 1960s. ‘Minimalism,’ because name suggests, will be the art, of any type, which thrives on minimizing any symbol of individual expression. The term is frequently applied to the works of visual artists, composers, writers, playwrights, filmmakers, and choreographers, who seem to believe, “less is a lot more.” In accord, ‘Minimalists’ strip about the composition of all the so-called elements right down to their most rudimentary forms, in ways rejecting the requirement of social comment and other reference to history, politics, or religion.



‘Minimalism’ pointed in the post World War II era, being a reaction for the excesses of ‘Emotionalism’ of ‘Abstract Art’ on exaggerated canvases, sculptures, and installations. ‘Minimalism’ is loosely in line with the reductive areas of ‘Modernism,’ often bridging between ‘Modernism’ and ‘Post-Modernism.’ Russian ‘Suprematists’ as Kasimir Malevich influenced ‘Minimalism.’ Which also include Donald Judd, Agnes Martin, Robert Morris, and Frank Stella. In the United States, the movement emerged when Frank Stella exhibited his “Black Paintings” in the Modern Art Museum in New York, in 1959.

‘Minimalism’ entails drawing straight geometrical forms, such to be a square or even a rectangle in a very repetitive fashion. It employs the solid plane of colours with uniform & stable chromaticity, straight from the palette. A ‘Minimalist’ wants the observers to perceive only what exactly is in front of them, without attempting any philosophical or creative digging. This helps generate an unadulterated viewer’s a reaction to the art objects.


‘Minimalism’ describes a few more art forms also, like music, design & architecture, and literature. The simplicity plus the objectivity of ‘Minimal Art’ allow it to become one in the truest along with the purest sorts of creativity, a long way away from pretense. This simplicity as well as the lack of expression however, is also among the gripes most critics have against ‘Minimalism,’ and in addition they often brush it off being a passing fad. They insist that art should act being a means to objectivity, where there should be an account balance between form and function, while using central focus being the portrayal of meaningful experiences.


Despite the many criticism, ‘Minimalism’ would be the source of many simple and neutral art movements, like ‘process Art,’ ‘Land Art,’ ‘Pop Art,’ ‘Performance Art,’ ‘Conceptual Art,’ and ‘Installation Art.’ Undoubtedly, ‘Minimal Art’ is really a highly successful phase of creativity, and has now well leveraged the shaping on the twentieth century art.